The deadline for the submission has been extended for the 2nd Inter-Asia Popular Music Studies Conference 2010 till December 31, 2009.
Thank you very much for those who already submitted the abstract.
Announcement
The 2nd Inter-Asia Popular Music Studies Conference 2010 in Hong Kong: Call for Papers
Date: June 22 (Tues) - 23 (Wed), 2010
Venue: NAH 208, Humanities Bldg
New Asia College The Chinese University of Hong Kong, Shatin, N.T., Hong Kong (http://mmlab.itsc.cuhk.edu.hk/CMT/CM.aspx?lang=e&bldgId=119).
* About the campus map, transportation and shuttle bus, see below: http://www.cuhk.edu.hk/v6/en/campus_map/campus_map.html.
http://mmlab.itsc.cuhk.edu.hk/CMT/T.aspx?lang=e
http://mmlab.itsc.cuhk.edu.hk/CMT/SBS.aspx?lang=e
Organized by:
Inter-Asia Popular Music Studies Group (http://interasiapop.org/)
School of Journalism and Communication, The Chinese University of Hong Kong
Institute for East Asian Studies, Sungkonghoe University
Conference theme:
Genres of Popular Music in Asia
Key Note Speaker
Motti Regev (The Open University of Israel)
Statement:
We are pleased to announce the 2nd Inter-Asia Popular Music Conference in Hong Kong in collaboration with School of Journalism and Communication in the Chinese University of Hong Kong at 22-23 June 2010. After having the first conference at Osaka in 2008, we move forward to having the next one at Hong Kong, the birthplace of one of the most popular and most globalized sounds of Asia: Cantopop.
The studies on Asian popular music are still in its embryonic stage. There is no institution devoted to popular music studies within Asian universities, neither is there is a journal which specializes on Asian popular music. What we have now is an online based, transnational research portal, Inter-Asia Popular Music Studies Group in 2007 plus a rapidly growing research network that at the moment includes 80 scholars not only in Asia but also in Europe, America and Oceania. Although the organization has just taken its first steps, there is no doubt that the academic interest in Asia popular music is rising both inside and outside Asia. There is a growing feeling that Asian popular music has not received sufficient attention from international popular music studies and that the existing paradigms of popular music studies may not be that adequate for Asian popular music. This conference will be the unique event to engage with all the scholarly debates surrounding the emerging field of of Inter-Asia popular music studies.
The 2nd conference has a main theme entitled ‘Genres of Popular Music in Asia’. The 2nd IAPMS Conference will focus on different genres of Asian popular music. The central theme is on the emerging specific Asian music genres as a consequence of globalization/inter-Asian cultural flow/hybridization between indigenous and global culture. Rather than just introducing different kinds of music genres in Asia (melody, lyrics, etc), the paper submitted should focus on how these musical genres intersect/ engage with different social, cultural and political arenas. Genres of Asian popular music can cover pop, rock, hip-hop, reggae and any other traditional musical expressions in Asia. But we welcome any paper if it seriously studies Asian popular music.
Deadlines
31 December 2009: paper proposal (extended)
31 January 2010: acceptance of papers
31 March 2010: registration
31 May 2010: submission of full paper
22-23 June 2010: conference days
Call for papers
The organizers of Inter-Asia Popular Music Studies Conference 2010 in Hong Kong would like to invite paper presenters to send their abstracts (not more than 250 words) before 30 November, 2009 to; asianpopstudies@gmail.com
If you have any inquiries, please feel free ask asianpopstudies@gmail.com or to local host Anthony Fung anthonyfung@cuhk.edu.hk
Registration Fee
Waged members: 240 HK$ (=30 US$)
Unwaged members: 120 HK$ (=15 US$)
Organizing Committee
Anthony FUNG (Chinese University, Hong Kong/China)
Angel Lin (City University of Hong Kong, Hong Kong/China)
Eric Ma (Professor, Chinese University, Hong Kong/China)
Philip Benson (The Hong Kong Institute of Education, Hong Kong/China)
Masashi Ogawa (The University of Hong Kong, Hong Kong/China)
You Fai CHOW (University of Amsterdam, the Netherlands)
Jeroen de Kloet (University of Amsterdam, the Netherlands)
Yoshitaka MORI (Tokyo University of the Arts, Japan)
Tunghung HO (Fu-jen University, Taiwan)
Kai Khiun LIEW (National University of Singapore, Singapore)
Viriya Sawangchot (Wathanasala Centre for Cultural Studies, Thailand)
Hyunjoon SHIN (Sungkonghoe University, Korea)
Jung-Yup LEE (University of Massachusetts Amherst, USA/Korea)
Notes
1) Please use the specific form (download) when you submit paper proposal, which is attched. If you organize panel with more than two people, just fill in ‘the panel title’ as well as paper title in the form (There is no need for further description about the panel).
2) English is the only language in the conference as there is no common language among Asian languages. Translation service can be provided only during questions and answers, if the presenters need it.
3) Please observe that this conference is deliberately scheduled right after the ACS Crossroads 2010 Conference in Hong Kong. For more information on that conference please go to http://www.crossroads2010.org/.
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We announce the program of Inter-Asia Popular Music Studies Conference 2008 in OSAKA as follows. If you want to participate in the conference, please book in advance by sending an e-mail to iapms2008@yahoo.co.jp by 18th July. Please mention if you want to attend the reception party in the mail
Date: 26 (Sat)-27 (Sun) July 2008
Venue: Osaka City University, Takahara Hall
(3-3-138, Sugimoto-cho, Sumiyoshi-ku, Osaka-shi, JAPAN)
http://www.osaka-cu.ac.jp/english/info/access.html
Organized by:
Inter-Asia Popular Music Studies Group (http://interasiapop.org/)
and
Urban Culture Research Centre (UCRC), Osaka City University
(http://www.lit.osaka-cu.ac.jp/UCRC/index-e.html)
Registration Fee:
Faculty Stuff/employed: 3000 JPY
Student/unemployed: 2000 JPY
Reception:
Faculty Stuff/employed: 2000 JPY
Student/unemployed: 1000 JPY
The lunchbox will be sold for 500 JPY. Please book it at the registration desk in the morning if you need.
以下の要領で、インターアジア・ポピュラー音楽研究国際会議2008を大阪市立大学で7月26日（土）、27日（日）開催いたします。アジアの研究者を中心としたポピュラー音楽研究者のネットワーク、インターアジア・ポピュラー音楽研究を母体とした第一回目の今年の会議には、日本、韓国、台湾、香港、タイ、シンガポール、インドネシアの研究者20名余りが報告を行います。アジアのポピュラー音楽研究の現在を考える上でも貴重な機会でもありますので、ぜひともご参加いただければと思います。
参加希望の方は、7月18日(金)までに懇親会の出欠希望を明記した上で、お名前と連絡先とともにお申し込みください。
iapms2008@yahoo.co.jp
■日時：2008年7月26日（土）−27日（日）
場所：大阪市立大学高原記念館（〒558-8585 大阪市住吉区杉本3-3-138）
http://www.osaka-cu.ac.jp/english/info/access.html
■主催：インターアジア・ポピュラー音楽研究グループ(http://interasiapop.org/)
大阪市立大学都市文化研究センター(http://www.lit.osaka-cu.ac.jp/UCRC/index-e.html
■テーマ：グローバル化するアジアの音楽産業
■報告者／登壇者(詳細のスケジュールについては下記のプログラムをご参照ください)
中川 眞（大阪市立大学）、毛利嘉孝（東京芸術大学）、藤本愛（東京芸術大学）、Naihao LEE (国立台湾師範大学、台湾)、Ya-Feng MON, (国立中央大学、台湾) 、Hyunjoon SHIN (聖公会大学、韓国)、小川正志（香港大学、香港）、Viriya SAWANGCHOT, (Wathanasala 文化研究センター、タイ)、宮入恭平、加藤綾子(東京大学)、Wan-Yi Chang (国立台湾大学、台湾)、Muria Endah Sokowati, (Muhammadiyah ジャグジャカルタ大学、インドネシア)、伏木香織（東京芸術大学）、Kai Khiun LIEW, (シンガポール国立大学、シンガポール)、大塚智（東京芸術大学）、Biyung O KIM (全州大学、韓国)、岩渕功一（早稲田大学）、洲本エドワード(Mix Roots Kansai)、Nam (ラッパー)、 Tung-hung HO（輔仁大学、台湾）、小泉恭子（愛知教育大学）、Anthony Fung（中文大学、香港）、細川周平（国際日本文化研究センター）、増田聡（大阪市立大学）
■参加費:
教員・有職者：3000円
大学院生・学生: 2000円
■懇親会費:
教員・有職者: 2000円
大学院生・学生: 1000円
■お問い合わせ
Iapms2008@yahoo.co.jp
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Inter-Asia Popular Music Studies Conference Program
26th July (Sat)
9:30-10:00 Registration
10:00-10:10 Welcome & Opening Remarks
Yoshitaka MORI (Tokyo University of the Arts, Japan)
10:10-10:30 Introductory Speech
Shi NAKAGAWA (Osaka City University, Japan)
10:30-12:00 Session 1
Music and Politics of Locality Chair: Kyoko KOIZUMI
1) An Analysis of Japanese Traditional Bon Festival Dance, Kawachi Ondo as a popular culture
Ai FUJIMOTO, (Tokyo University of the Arts, Japan)
2) Hip Hop Taiwan in the Age of Globalization--- or, Glocalization
Naihao LEE (National Taiwan Normal University, Taiwan)
3) L.T.K. Commune in Context:Reflections on Taiwan Underground Music Criticism
Ya-Feng MON, (Taiwan National Central University, Taiwan)
12:10-13:10 Lunch
13:10-14:40 Session 2
Trans-national Cultural Industry in Asia Chair: Tung-hung HO
1) Globalization of Korean popular Music/Music Industry and the “Studies” about it
Hyunjoon SHIN (Sungkonghoe University, Korea)
2) The in-flow and presence of Japanese Popular music in Hong Kong Popular Music Scene in the Past and the Present
Masashi OGAWA, (University of Hong Kong, Hong Kong)
3) Big Ideas in Smallroom
Viriya SAWANGCHOT, (Wathanasala Centre for Cultural Studies, Thailand)
14:40-15:00 Break
15:00-16:30 Session 3
Globalizing Popular Music East Asia Chair: Anthony FUNG
1) The Different Usage of Karaoke Venues between the United States and Japan
Kyohei MIYAIRI
2) Activities of Japanese artists overseas: the case study on Jrock focusing Visual-kei artists
Ayako KATO (University of Tokyo, Japan)
3) Globalization and Localization within Taiwanese Popular Music Industry
Wan-Yi Chang (National Taiwan University, Taiwan)
16:30-16:40 Break
16:40-18:10 Session 4
Identity Politics of Popular Music in the Age of Late Capitalism
Chair: Koichi IWABUCHI
1) Hybridity in ‘Kroncong Protocol’ Song: Representation of Youth Resistance of Popular Music Mainstream in Indonesia
Muria Endah Sokowati, (Muhammadiyah University of Yogyakarta, Indonesia)
2) An Image Strategy of Media Conglomerate: Popular Music as Agitation Tools for Local Identity
Kaori FUSHIKI (Tokyo University of the Arts, Japan)
3) Video-Sharing & Un-sharing “Chineseness”: Chinese Music Videos & Identity Politics on Youtube
Kai Khiun LIEW, (National University of Singapore, Singapore)
18:30- Reception Party
27th July (Sun)
10:00-11:30 Session 5
Music, Internet and Digitalization Chair: Kai Khiun LIEW,
1) Students Majoring in Music as Internet Audience
Satoshi OTSUKA (Tokyo University of the Arts, Japan)
2) Copyright and internet music business in Korea
Biyung O KIM (Jeonju University, Korea)
3) Emerging Mobile Subjectivities in the Age of Portable Digital Music in the City
Yoshitaka MORI, (Tokyo University of the Arts, Japan)
11:30-11:40 Break
11:40-12:30 Session 6 (Roundtable)
The Expression of Identity Politics through Music - Towards Mixed Roots co-Living
Chair Koichi IWABUCHI
Speakers
Koichi IWABUCHI (Waseda University, Japan)
Edward SUMOTO (Mix Roots Kansai, Japan)
Nam (Rap musician, Japan)
12:30-13:30 Lunch
13:30-14:30 Session 7
How Does Popular Music Function in Society? Chair: Hyunjoon SHIN
1) Popular music out of the classroom: making music as an active process connecting Taiwan’s undergraduate students and Indonesian migrant workers
Tung-hung HO (Fu-Jen Catholic University, Taiwan)
2) Music listening and the reproduction of family environment: a case study in Japan Kyoko KOIZUMI, (Aichi University of Education)
3) The Chinese Fandom and Youth Culture
Anthony FUNG (Chinese University of Hong Kong, Hong Kong)
14:40-15:00 Break
15:00-16:30
The culture of recording in inter-Asian perspective: an essay of the associative historiography
Shuhei HOSOKAWA (International Research Center for Japanese Studies, Japan)
16:30-18:00 Roundtable Discussion
Towards trans-national Popular Music Studies
Chair: Yoshitaka Mori
Speakers:
Anthony FUNG, Hyunjoon SHIN, Tung-hung HO, Kai, Khium LIEW, Viriya SAWANGCHOTS, Kyoko KOIZUMI, Shuhei HOSOKAWA
18:00-18:10 Ending Remarks, Satoshi MASUDA and Hyunjoon SHIN
Venue: Osaka City University, Takahara Hall
(3-3-138, Sugimoto-cho, Sumiyoshi-ku, Osaka-shi, JAPAN)
http://www.osaka-cu.ac.jp/english/info/access.html
Organized by:
Inter-Asia Popular Music Studies Group (http://interasiapop.org/)
and
Urban Culture Research Centre (UCRC), Osaka City University
(http://www.lit.osaka-cu.ac.jp/UCRC/index-e.html)
Conference theme: Globalizing Music Industry in Asia
Rationale:
We are pleased to announce the first Inter-Asia Popular Music Conference in Osaka in collaboration with Osaka City University, Urban Culture Research Center (UCRC) in July 2008.
Over the last two decades, the study of popular music has been dramatically developed in the interdisciplinary fields from musicology, sociology, literature, history, education, anthropology, to media & communications and cultural studies since the establishment of the International Association for Study of Popular Music (IASPM) in 1981. A similar trend has also been observed in the Asian continent where more and more scholars are involved in the critical studies of popular music.
Today, however, we face two major problems to be considered generally among scholars of non-Western(Asian) popular music cultures: Firstly, while it has been well established academically as an distinctive field of study in Western campuses, research efforts on popular music in the Asian contexts remains largely scattered, limited without. There are currently no institutions devoted to popular music studies within Asian universities, and the more sustained interactions of scholars in this field in the region have also been hampered by language barriers. Secondly, in spite of its more globally diffused patterns of distribution, appropriation and consumption, scholarly accounts on Asian popular music has been predominantly centered within contemporary national boundaries Such existing paradigms would have to be revised in light of the recognition of the socio-cultural fluidity arising from developments in communication technologies as well as more intensified rates of human migration.
As part of our preliminary efforts to address theses issues these problems, we launched an online based, transnational research portal, Inter-Asia Popular Music Studies Group in 2007, and have also started discussions among about 40 scholars not only in Asia but also in Europe and the United States.
In the first international conference has a main theme entitled ‘Globalizing Music Industry in Asia’, by which we would like to focus on the recent situation and historical trajectory of popular music genres in Asia like rock, pop music to hip hop and dance music which have been heavily influenced by globalization of music industry, in particular, the restructuring of global capital, the radical change of distribution network including media and internet and the transformation of fan’s practices.
Possible session themes;
Music, internet and piracy (Copyright)
Beatles in Asia
Hip hop in Asia
Transnational flow and consumption of popular music
Border-crossing Pop stars and their mediation of Asian modernities
Recycling of old Asian pop in film/drama
Asians in global experimental music scenes
Transformation of creative labour in music industry
Inter-Asian collaboration/adaptation of popular music
Music consumption by/of trans-Asian migrants
iPod and mobile music
Music for Practical uses (film, drama, game soundtrack)
Asian diasporic music outside Asia
*Any other suggestions will be welcomed.
Schedule:
30 May The first deadline of application
26-27 July Conference
Call for papers
The organizers of Inter-Asia Popular Music Studies Conference 2008 in Osaka would like to invite paper presenters to send their abstracts (not more than 250 words) before 31 May, 2008 to; iapms2008@yahoo.co.jp
If you have any inquiries, please be free ask Yoshitaka Mori:
iapms2008@yahoo.co.jp
Registration Fees:
Faculty member and staff: 3000 JPY (=US$ 30)
Student:2000 JPY (=US$20)
Inter-Asia Popular Music Studies Conference 2008 in Osaka Organizing
Committee:
Shin NAKAGAWA,
Professor and Director of Urban Culture Research Center Osaka Ciity
University, Japan
Hyunjoon SHIN, Professor, Sungkonghoe University, Korea
Yoshitaka MORI, Associate Professor, Tokyo University of the Arts
Anthony FUNG, Associate Professor, Chinese University, Hong Kong
Kyoko KOIZUMI, Associate Professor, Aichi University of Education, Japan
Tunghung Ho, Associate Professor, Fu-jen University, Taiwan
Satoshi MASUDA, Associate Professor, Osaka City University, Japan
Kai Khun LIEW, Postdoctoral Fellow, National University of Singapore,
Singapore
Jung-Yup LEE, University of Massachusetts Amherst, USA/Korea
Koichi IWABUCHI, Professor, Waseda University, Japan
■日時：2008年7月26日（土）−27日（日）
■場所：大阪市立大学高原記念館 （〒558-8585 大阪市住吉区杉本3-3-138）
■主催：インターアジア・ポピュラー音楽研究グループ
大阪市立大学都市文化研究センター
■テーマ：グローバル化するアジアの音楽産業
■趣旨：
第一回インターアジア・ポピュラー音楽研究国際会議を、インターアジア・ポピュラー音楽研究グループと大阪市立大学都市文化研究センターの共催で2008年7月に開催いたします。
この二十年間のあいだにポピュラー音楽研究は、音楽学、社会学、文学、歴史学、教育学、文化人類学、メディア＆コミュニケーション研究、文化研究などの領域横断的な学問として目覚しく発展してきました。1981年には国際ポピュラー音楽学会（ＩＡＳＰＭ）が設立され、国際的なネットワークが形成され、アジアにおいても、この国際的な動向を受けて多くの研究者がポピュラー音楽の研究を行っています。
けれども、現在の国際的なポピュラー音楽研究を俯瞰した際に二つの大きな課題が残されています。
ひとつは、英米圏の研究に出自を持つポピュラー音楽研究が依然として欧米圏を中心としていて、アジア地域における研究の出版がきわめて少ないことです。このことは、地政学的な問題とともに、ポピュラー音楽研究が大学アカデミズムのカリキュラムの中にまだ根付いていないことや英語という言語的障壁が大きいことが理由として挙げられるでしょう。
もうひとつは、実際のポピュラー音楽が、しばしば国境を越えた流通や生産、消費が行われているにもかかわらず、それぞれの研究が国ごとに分断されていて、包括的な比較研究がほとんど行われていないということです。
インターアジア・ポピュラー研究グループは、こうした問題意識のもと、アジア地域のポピュラー音楽研究者によって形成された国際的な研究ネットワークグループです。現在、アジア全域、アメリカ、ヨーロッパから約40人の研究者によって運営されています。
第一回の大阪会議では、「グローバル化するアジアの音楽産業」をメインテーマとして、アジアの音楽は、近年グローバリゼーション、特にグローバルな資本の再編や、インターネットをはじめとする流通の変化、ファン意識の変容に大きく影響されてきたロックやポピュラー音楽、ヒップホップやダンスミュージックなどアジアの音楽の最近の状況を考察する予定です。
■想定される個別テーマ
・ 音楽とインターネット、不正ダウンロード（著作権）
・ アジアにおけるビートルズの受容
・ アジアのヒップホップ
・ トランスナショナルな音楽消費のフロー
・ 国境を越えるポップスターとアジア的近代におけるその役割
・ クリエイティヴ産業における労働の変容
・ iPodと携帯音楽
・ 映画やテレビドラマにおけるポップミュージックの再利用
・ 世界的な実験音楽におけるアジアのミュージシャン
・ 映画やゲームなどメディアの音楽
・ アジアのディアスポラ的音楽
＊そのほかのテーマも歓迎します。
■ スケジュール
5月30日 発表者一次締切り
7月26日〜27日（会議）
■言語
報告は英語を基本とする。特に日本語の通訳・翻訳を準備しない。質疑応答のみ日本語英語通訳をつける。
■参加費（含む資料代） 有職者 3000円 学生 2000円
■ 報告者募集
報告を希望する人は、事務局まで英文２５０字以内の報告要旨を５月３１日まで事務局までお送りください。事務局アドレス：iapms2008@yahoo.co.jp
■ お問い合わせ
本件についてのお問い合わせは事務局、毛利嘉孝まで。iapms2008@yahoo.co.jp
■ インターアジア・ポピュラー音楽研究国際会議２００８企画委員会
中川 眞 大阪市立大学教授 都市文化研究センター所長 日本
シン・ヒュンジュン 聖公会大学教授 韓国
毛利嘉孝 東京芸術大学准教授 日本
アンソニー・フォン 中文大学准教授 香港
小泉恭子 愛知教育大学准教授 日本
何東洪（ホウ・トンホン） 輔仁大学助理教授 台湾
増田聡 大阪市立大学准教授 日本
リウ・カイクーン 国立シンガポール大学 シンガポール
リー・チュンアップ マサチューセッツ大学 韓国／アメリカ
岩渕功一 早稲田大学教授 日本
